DOUBLE VISION

by Catarina Ferreira, AIA

Construction at our mixed use building at 1400 9th St NW is finally picking up momentum. The initial phases of building facade stabilization, foundations and underpinning were technically difficult to accomplish and took several months to complete. Now, with framing nearing completion, the project is finally materializing and starting to look like a building , or is it two?

Located in the Shaw Historic District, the original building was built around 1850, making it one of the oldest (if not the oldest) contributing structures within the historic district. Vacant for decades and in poor condition, the building was nearing collapse when purchased at auction. The initial concept presented to the HPRB for review requested the demolition of the existing structure and replaced with an entirely new building. That concept was rejected, after board members visited the site and determined that the building could be salvaged. Then our job became a lot more difficult…

Typically, visible additions to existing contributing structures are not permitted. The project would not be viable without an increase in building area. Our second proposal to the HPRB, which underwent a smooth review process and was quickly approved, consisted of additions/alterations to the existing building, including a four story addition on the North side of the where a non-original structure previously existed. Conceptually, it made total sense. From a design stand-point, it seemed like an impossible mission. How could we create a coherent whole out of two such different parts? To complicate matters even more, the building occupies a corner site, making an alterations proposed very prominent. It also has no preferred orientation, and it seems that has always been the case. Is 9th St the front of is O St the front? It’s like it’s trying to be two buildings at once.

Sometimes the problem becomes the solution.

The European in me would have sought a clear distinction between old and new, so that was the starting point. However, in this case it was not just a matter of design a new building next to the old one. The original building required a significant amount of repair work and its 9th St elevation (the actual facade based on the building’s address) lacked coherence. Several poorly-designed alterations had been made over the last 170 years or so.

Sometimes the answer is not about black vs. white but rather shades of grey. The ultimate solution is a hybrid building that blurs the line between old and new just enough to make a passer-by do a double take. It looks like one building from farther away, like two up close. This allowed the integrity of the historic structure to be maintained, allowed us to propose a clean addition that is distinct yet compatible, and most importantly, one does not try to mimic/reproduce the existing building.

Often, in Washington DC, the tendency is to mimic the appearance of historic structures or to propose a slightly watered down version of them in order to try to achieve compatibility. That erasure of history, by replicating a historic language in the present, reduces the proposed and the original building to nothing more than their appearance. To me, architecture is about poetry, creating a rich experience by manipulating the grey zone, not about superficiality/appearance. Historic districts are first and foremost about a coherent atmosphere.

So how did we achieve a coherent atmosphere/ historic compatibility in this case?

  1. My number one go-to strategy in historic district is always simplicity: simple massing, discrete character.

  2. Then comes soul/personality: In this case, is it one building or two? It seemed important to maintain that duality. Also, a raw, slightly industrial aesthetic is proposed in both parts of the building. I feel this is compatible with the character of this particular historic district, where alleys are streets, carriage houses are homes, and just a dash of grit prevails.

  3. Then comes continuity of materials: same brick color/size, same siding material on bay windows, same window color, despite different geometry/size.

Now that it has taken shape, the verdict is in: it is one building, but its also two at the same time, as has always been the case. Amazingly, I think it actually works!

Form Follows Thought

No offense, Mies, but in my opinion 'Form Follows Function' doesn't tell the full story. It's a powerful phrase, and it summed up the intent of design in the machine age, but it implies linearity in the design process.  Mies' buildings are stunning works of art, and I would argue they were driven by more than function. After all, architecture is more interesting than pure engineering, in which form only follows function. I would argue that in architecture Form Follows Function and Function Follows Form, and it goes on and on like that in a somewhat circular fashion until the design problem is solved. Form and Function inform and reinforce each other. Although function certainly comes before form, recognizing the power of form and treating it as an equally important participant, and not merely as the result of function, can help to propel function itself to an entirely new level. That's how inventions come about, for example.

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Brookland House Before/After

Post by Catarina Ferreira, AIA

Last summer we completed the renovation of our Brookland House project, with J.Allen Smith Design/Build as the General Contractor. It was a complex project. The age of the house and the fact that it was balloon framed presented some challenges, but all is well that ends well.

We recently stopped by for a pre-shoot. A more comprehensive professional photo shoot will be done in the Spring once the landscaping phase is completed.

Here are some before/after shots illustrating the transformation that the house underwent

 
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At the front of the house, windows, front door and siding were modified/replaced, the front porch was updated with cedar trim and wider steps.

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At the rear of the house a new kitchen/family room and master suite were added, to replace a 1950's addition. The footprint of the house did not change, however, which simplified the permitting process.

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A two foot wide unsafe stair was replaced with a centrally located stair that became the organizing element of the new house.  An existing long front hall and compartmentalized spaces were transformed to an open plan through the removal of several load-bearing walls which we replaced with new flush beams.

A retro kitchen was replaced with an efficient new kitchen opening onto the family room and new exterior deck (note the pantry under the stair landing).

See more photos of the finished house, renderings and construction photos HERE!